After months of work, chanelqueen17 has created a gorgeous scene of Alice and Oz from Pandora Hearts, using scans that didn't even feature both characters together. Even after spending so much time on matching the details of the characters to their new looks, chanelqueen17 didn't stop there and went all out on the background too! This wallpaper definitely needs to be seen!
Work Gf and pretty nmuch work. my comp has been down for three months just bought this laptop on black friday. So I'm using all the free wi fi i can get
This time I tried blending in a texture along with the wallpaper. I tried to use less c4d's & use more vector shapes & clipping masks. The end result was different than I expected, but still good. I also liked the way I blended in Zero's hair on the top left. I'll probably add in a textureless &/or textless version when this is added to the gallery.
Yeah abstract is really nice...but not from everyone /for everyone!
Still like this wallpaper a lot! I like megamen a lot...And I like the guy a lot!
Really nice background! If you have a textless version I would love to put it on my deskopt
+fav
Hey, this is pretty cool. Usually similar walls become too overwhelming, but the design is vivid, engaging, but doesn't go overboard and stays at a sensible level. Colour scheme gives it excitement, and the renders/GFX here and there are really interesting. Really nice job.
This wallpaper is simply awsome. Zero looks amazing...HOLY CRAP I LOVE THIS! the background effects look really cool too. So cool love the wallpaper can't to see what you do next thank you for sharing.
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This is a pretty interesting wallpaper~
The character is pretty good (except it didn't look too good when 1280x1024) and I like the effect that you put into the wallpaper.
The background is a bit bad though, although the colour suits Zero pretty well it is too messy, and has too many random this and thats everywhere, I would suggest using another sort of background for this wallpaper
Overall it's all good except for the background
Keep up the good work
Wallpaper, using the printmaking technique of woodcut, gained popularity in Renaissance Europe amongst the emerging gentry. The elite of society were accustomed to hanging large tapestries on the walls of their homes, a tradition from the Middle Ages. These tapestries added colour to the room as well as providing an insulating layer between the stone walls and the room, thus retaining heat in the room. However, tapestries were extremely expensive and so only the very rich could afford them. Less well-off members of the elite, unable to buy tapestries due either to prices or wars preventing international trade, turned to wallpaper to brighten up their rooms.
Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets of the paper were sometimes hung loose on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted to walls, instead of being framed and hung, and the largest sizes of prints, which came in several sheets, were probably mainly intended to be pasted to walls. Some important artists made such pieces, notably Albrecht Dürer, who worked on both large picture prints and also ornament prints intended for wall-hanging. The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I and completed in 1515. This measured a colossal 3.57 by 2.95 metres, made up of 192 sheets, and was printed in a first edition of 700 copies, intended to be hung in palaces and, in particular, town halls, after hand-colouring.
Very few samples of the earliest repeating pattern wallpapers survive, but there are a large number of old master prints, often in engraving of repeating or repeatable decorative patterns. These are called ornament prints and were intended as models for wallpaper makers, among other uses.
England and France were leaders in European wallpaper manufacturing. Among the earliest known samples is one found on a wall comes from England and is printed on the back of a London proclamation of 1509. It became very popular in England following Henry Vi's excommunication from the Catholic Church - English aristocrats had always imported tapestries from Flanders and Arras, but Henry Vi's split with the Catholic Church had resulted in a fall in trade with Europe. Without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper.
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Trick or Treat by °chanelqueen17 1 month 2 weeks ago
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This time I tried blending in a texture along with the wallpaper. I tried to use less c4d's & use more vector shapes & clipping masks. The end result was different than I expected, but still good. I also liked the way I blended in Zero's hair on the top left. I'll probably add in a textureless &/or textless version when this is added to the gallery.
User Comments!
Still like this wallpaper a lot! I like megamen a lot...And I like the guy a lot!
Really nice background! If you have a textless version I would love to put it on my deskopt
+fav
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the colors blend excellent and I like it lol ( I don't get anything in my mind to write xD)
The character is pretty good (except it didn't look too good when 1280x1024) and I like the effect that you put into the wallpaper.
The background is a bit bad though, although the colour suits Zero pretty well it is too messy, and has too many random this and thats everywhere, I would suggest using another sort of background for this wallpaper
Overall it's all good except for the background
Keep up the good work
great texture and concept put together
i love your work! hehe
keep up the great work!!
Good wall, I'll save it.
See ya ^^
Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets of the paper were sometimes hung loose on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted to walls, instead of being framed and hung, and the largest sizes of prints, which came in several sheets, were probably mainly intended to be pasted to walls. Some important artists made such pieces, notably Albrecht Dürer, who worked on both large picture prints and also ornament prints intended for wall-hanging. The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I and completed in 1515. This measured a colossal 3.57 by 2.95 metres, made up of 192 sheets, and was printed in a first edition of 700 copies, intended to be hung in palaces and, in particular, town halls, after hand-colouring.
Very few samples of the earliest repeating pattern wallpapers survive, but there are a large number of old master prints, often in engraving of repeating or repeatable decorative patterns. These are called ornament prints and were intended as models for wallpaper makers, among other uses.
England and France were leaders in European wallpaper manufacturing. Among the earliest known samples is one found on a wall comes from England and is printed on the back of a London proclamation of 1509. It became very popular in England following Henry Vi's excommunication from the Catholic Church - English aristocrats had always imported tapestries from Flanders and Arras, but Henry Vi's split with the Catholic Church had resulted in a fall in trade with Europe. Without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper.